Freelance

Why Being Fearless Matters So Much: A Conversation With Zaha Hadid for Forbes.com

Originally posted 1.26.2012 at www.Forbes.com

‘The only thing I could have done to make them accept me was to water everything down — and I wasn’t prepared to do that.’

By Lindsay J. Westley

Zaha Hadid by Steve Double.When architect Zaha Hadid walks into the Philadelphia Museum of Art, conversation stops. Dressed all in black,she strides purposefully across the vast exhibition hall, her presence nearly dwarfing even the mural-sized Marc Chagall stretching from floor to ceiling behind her.

Hadid’s larger-than-life persona is a frequent topic of conversation in the architecture world, and in concert with the gravity-defying, curvilinear buildings she creates, has earned her a reputation as the diva of architecture. It’s a term applied by admirers and critics alike, to which she responds bluntly “You wouldn’t call me a diva if I were a guy.”

Nemesis Brings a 1930s Adventure Story to Stage, and Sludge Monsters to Earth

Originally appeared in the print version of Seven Days on Jan. 18, and posted here: http://www.7dvt.com/2012intergalactic-nemesis

The Intergalactic Nemesis

Theater audiences can’t help but shift to the edge of their seats when they hear these four sounds: Thump … thump … thump … creeeeeeeeeeeeeak. The combination conjures up images of castles, Igor and ominous wooden doors with deadbolts, doesn’t it?

That’s exactly what Foley, or sound-effects, artist Buzz Moran will be counting on in an upcoming performance of The Intergalactic Nemesis at Burlington’s Flynn Center for the Performing Arts. Originally a live radio play in Austin, Tex., and now a touring stage show, Nemesis is billed as a live-action graphic novel. The sci-fi story, set in 1933, features a reporter and her assistant, a mysterious librarian, and sludge monsters from the planet Zygon that are, of course, threatening planet Earth. Hence the “intergalactic nemesis.”

Mitts for When the Mercury Drops

Originally posted at http://www.emsexploration.com/wordpress/mitts-for-when-the-mercury-drops/

When the skis, boots, poles and skins made an appearance in the living room for the third night in a row last week, I knew it was time to either get my husband a hamster wheel, or go visit the snowmakers on the mountain.

Vermont holds the record for most terrain covered by snowmakers in the East — after all, it’s home to “Hug a Snowmaker Day” (really), so we headed up to Jay Peak to pick up DJ’s season pass and to check out the powder — whether real, imagined, or man-made. (And as per last night’s snow-dump, everything is newly dusted in fresh snow.)

We arrived late enough in the day that all of the lifts were closed, which made skinning up the mountain both easy and legal, according to Jay’s AT/backcountry rules (off-limits when the lifts are running). Stir-craziness abated, DJ took a few turns while I put my new Black Diamond Mercury Mitts to the test.

Digitizing a Treasury of Objects at the Fleming Museum (Seven Days)

Originally appeared in the print version of Seven Days on Dec. 14, 2011 and posted here: http://www.7dvt.com/2011digitizing-treasury-objects-fleming-museum

Janie Cohen walks through the stacks on the top floor of the University of Vermont’s Fleming Museum of Art, running a finger along the shelves and pointing out favorites. Ancient Native American pottery shares a shelf with pre-Columbian artifacts, which perch next to small-scale European sculpture. Cohen, the museum’s executive director, stops to point out a tattered-looking collection of maps created by Napoleon and his troops, then continues down to the end where the paintings hang. A nearby table displays smoking apparatuses, under consideration for a winter exhibition; a row of hunting spears hangs above a drawer full of Native American beadwork.

This area of the museum — where the Fleming keeps its treasures — is generally off limits to visitors. It’s one of three on-site storage vaults, and it’s crammed with objects dating from 3500 BC to the present day. Cohen knows them all. Visitors, even regular ones, probably haven’t seen a quarter of the collection.

All museums struggle to represent the full range of their holdings, and the Fleming is no exception. Cohen estimates that only 5 percent of its 24,000 items are on view at any time; the other 95 percent sit on shelves upstairs, neatly labeled but as good as invisible.

Even Greener at the Green Mountain Club

Originally posted at http://www.emsexploration.com/wordpress/even-greener-at-the-green-mounta...

Even a day hike on the Long Trail can feel like an epic journey, thanks to the tree roots, boulders, mud, slippery rocks and scree that litter the trail. It’s one of the toughest thoroughfares in the East, but not from lack of trail maintenance. On the contrary, the Green Mountain Club is just staying true to founder James P. Taylor’s original 1910 mission to traverse the highest, the most rugged and most beautiful of Vermont’s green areas. Most beautiful? Yes. But you definitely have to earn your vistas.

Off the trail, the GMC is equally protective of its green spaces, and last month unveiled a new wood-burning heat and hot-water system on its Waterbury Center campus. That might not sound so very different from the Vermont Castings that’s currently cranking out heat in your living room, but combined with new and existing solar panels and solar trackers, this wood gasification boiler means the club is now net-neutral and expects to produce more energy than it consumes.

So what does gold-star-worthy energy production look like?

Well, it looks an awful lot like a reused 8×20-foot shipping container with a red wood boiler inside, attractively clothed in knotty pine. It answers to the name of “Biobox.”

Crampons vs. Microspikes (and the bruises to prove it)

Originally posted at http://www.emsexploration.com/wordpress/crampons-vs-microspikes-and-the-...

These are not crampons. They’re Kahtoola MICROspikes, and they’re awesome. And there’s a reason they’re listed under “Winter Traction,” not under Ice Climbing Gear/Crampons on EMS’ website.

For comparison’s sake, check out the aggression factor on these Black Diamond Sabretooth Pro crampons versus the Kahtoola MICROspikes. Much different.

 

The Shelburne Museum Shuts Down for Winter, But Not Everything Hibernates (Seven Days)

Originally appeared in the print version of Seven Days on Nov. 23, 2011 and posted here: http://www.7dvt.com/2011shelburne-museum-shuts-down-winter-not-everythin...

In Beach Lodge, the bears are hibernating. The temperature is a chilly 45 degrees, and the windows will soon be boarded up, leaving the taxidermy Ursus in darkness. It’s creepy in here.

Outside, groundskeepers, curators, gardeners, carpenters and conservators rove the grounds in golf carts, their activity recalling a scene from Richard Scarry’s Busytown. Twenty-three gardens have already been cut back and composted; the carousel has been disassembled and stored.

Welcome to the end of the season at the Shelburne Museum, where workers have indeed been busy battening down the hatches for winter. It’s an aspect of the museum the May-to-October crowd never sees. And, in a way, that’s too bad, because the process of buttoning up 39 historic buildings over 45 sprawling acres is itself an interesting “exhibition” with history lessons.

On board the 220-foot grounded steamboat Ticonderoga, director of buildings Chip Stulen resurrects many winterizing tactics from the early 20th century, when the ship was still sailing Lake Champlain.

A Case of the 'Umbles

Originally posted at http://www.emsexploration.com/wordpress/a-case-of-the-umbles/

By Lindsay Westley

Warm temperatures across Vermont this week have split outdoorsy types down the middle: those reveling in that last ride or run in shorts, and those snow fiends making nose prints against the window every time a cloud scuttles across the sky.

I’m pretty firmly in the “celebrate bare knees one last time” category, but I’ve left a few smears on the windows the past few days too — namely as a result of our friends back in Pennsylvania bragging (or lamenting) about the first snowfall — in October. I’m also eager to stop having native New Englanders say “Oh, so you haven’t made it through a real winter yet?” I think it’s time to get that rite of passage over with.

Decorator unleashes the potential of her own home (The Philadelphia Inquirer)

At an age when most of her peers were riding bikes and playing dress-up, Laura Riedel was decorating. As a third grader, she kept a notebook full of design ideas, and she remembers the moment she walked into a friend's house whose living room was decorated "just right."

In her own house, she didn't have it as easy. When her mother told her she could choose the carpet for her bedroom, Laura requested a specific yellow hue, "but when I came home from school, the carpet was gold, and I really had a fit."

"I painted the walls apple green anyway, but it really mattered to me that the carpet wasn't the right color, and that my mother wouldn't replace it," she says. "I guess that should have been a clue that this was going to be a longtime hobby."

At 52, Laura's canvases are bigger. She designs with her husband, Ralph, 54, and their three adult children in mind, but her quest for good design is a constant.

Sometimes, it's an easy fix - she'll even rearrange the furniture in a hotel room or a rented condo if it doesn't feel right. Other times, it's more of a challenge.

When they first looked at a house for sale on a quiet lane in Radnor in early 2006, it was "really awful," Laura says. Built in the 1950s, it looked very institutional, with flat lines, a hip roof, and plain windows. An angled wrought-iron railing fractured the natural lines of the house, magnified by the flat garage roof and unadorned windows.

Born to love barns (The Philadelphia Inquirer)

It likely happened when you left the front door wide open or your jacket in a heap on the floor. But most kids - even adults - have heard this refrain:

Where do you think you live? A barn?

Well, some people do.

Whether the appeal is the slanting, dusty sunshine that peeps through the cracks, the lingering smell of hay, or that old, nostalgic charm, a growing number of people are choosing to transform old barns from bovine dwelling to rustic entertaining space.

Yet the process is not for the laid back. Renovating barns requires an often endless web of decisions involving deconstruction, reconstruction, and preservation. Three local homeowners tell us the tales that led to their barn euphoria.

Peggy and Bruce Earle
Devon

Peggy Earle spent much of her childhood in an old Chester County bank barn - a two-story barn on a hillside with ground-level access to both floors - where she cared for her horses and spent time with her father. But in Devon, where she and her husband, Bruce, have lived for 25 years, available bank barns are few and far between. So after Googling "moving a barn," and discovering Mike Hart - a local guy and history buff who would happily move a structure to the location of your choosing - Earle was hooked.

"We've lived in Devon our whole lives and wanted to stay there, so we needed to bring a barn to us."