Seven Days

Nemesis Brings a 1930s Adventure Story to Stage, and Sludge Monsters to Earth

Originally appeared in the print version of Seven Days on Jan. 18, and posted here: http://www.7dvt.com/2012intergalactic-nemesis

The Intergalactic Nemesis

Theater audiences can’t help but shift to the edge of their seats when they hear these four sounds: Thump … thump … thump … creeeeeeeeeeeeeak. The combination conjures up images of castles, Igor and ominous wooden doors with deadbolts, doesn’t it?

That’s exactly what Foley, or sound-effects, artist Buzz Moran will be counting on in an upcoming performance of The Intergalactic Nemesis at Burlington’s Flynn Center for the Performing Arts. Originally a live radio play in Austin, Tex., and now a touring stage show, Nemesis is billed as a live-action graphic novel. The sci-fi story, set in 1933, features a reporter and her assistant, a mysterious librarian, and sludge monsters from the planet Zygon that are, of course, threatening planet Earth. Hence the “intergalactic nemesis.”

Digitizing a Treasury of Objects at the Fleming Museum (Seven Days)

Originally appeared in the print version of Seven Days on Dec. 14, 2011 and posted here: http://www.7dvt.com/2011digitizing-treasury-objects-fleming-museum

Janie Cohen walks through the stacks on the top floor of the University of Vermont’s Fleming Museum of Art, running a finger along the shelves and pointing out favorites. Ancient Native American pottery shares a shelf with pre-Columbian artifacts, which perch next to small-scale European sculpture. Cohen, the museum’s executive director, stops to point out a tattered-looking collection of maps created by Napoleon and his troops, then continues down to the end where the paintings hang. A nearby table displays smoking apparatuses, under consideration for a winter exhibition; a row of hunting spears hangs above a drawer full of Native American beadwork.

This area of the museum — where the Fleming keeps its treasures — is generally off limits to visitors. It’s one of three on-site storage vaults, and it’s crammed with objects dating from 3500 BC to the present day. Cohen knows them all. Visitors, even regular ones, probably haven’t seen a quarter of the collection.

All museums struggle to represent the full range of their holdings, and the Fleming is no exception. Cohen estimates that only 5 percent of its 24,000 items are on view at any time; the other 95 percent sit on shelves upstairs, neatly labeled but as good as invisible.