Music

Summertime And The Music Is Easy

    Summer orchestra programs seem generally be selected using one criterion: Will the program survive the beer and blanket test? As in, will the music stand up to the distractions of the summer season at the Mann, where themed picnics and fireworks tend to leave a longer-lasting impression than the music itself?

    Under the direction of Grant Llewellyn on Tuesday night, the Philadelphia Orchestra opened a two-week run of the expected popular favorites and crowd-pleasers, while also plugging the lesser-known work of Erich Wolfgang Korngold, a shining star in a program that luxuriated in easy-listening favorites.

    Easing into the program with Strauss' “On the Beautiful Blue Danube,” Llewellyn cruised at a relaxed pace that pleasantly contrasted the oom-pah-pahing that too often characterizes this piece. The languid tempo, though the perfect accompaniment for picnics and summer crowds, took its toll close to the end, however, as the final few bars came to their rather abrupt crescendo, taking the low strings seemingly by surprise at the work's close.

A Dignified Previn Helms Strauss, Mozart

The Philadelphia Orchestra has a reputation for being rather cold-hearted toward maestros with whom they are not impressed, but under the rather limpid baton of conductor André Previn, they were receptive, and if not extraordinarily exciting, certainly amiable. That’s not to detract from the great Mr. Previn’s extensive legacy on the podium — as a composer, pianist and maestro, he has helmed numerous prestigious musical posts. But turning 80 years old today, he is a less dynamic presence onstage than in years previous — still impressive, just less formidable.
Under his direction, the orchestra played a dignified program of Mozart’s Piano Concerto No. 24 and Strauss’ Symphonia domestica this weekend, taking cues from Mr. Previn’s refined conducting and performing graciously, if not vigorously. Read more.